Tuesday, September 12
- In class:
- Lecture and discussion on poetic form and visual information
- Couplets: “An Essay on Criticism” by Alexander Pope
- Terza Rima: “Autumn Psalm” by Jacqueline Osherow
- Sonnet: “Sonnet 130” by William Shakespeare
- Sestina: “Sestina” by Elizabeth Bishop
- Villanelle: “Do Not Go Gentle Into That Good Night” by Dylan Thomas
- Free verse: “[Buffalo Bill ‘s]” by E. E. Cummings
- Lecture and discussion on poetic form and visual information
- Assignment:
- Visit the PennSound Authors page, identify one author you’d like to explore, and listen to 2-3 recordings of their poetry.
- Transcribe the first 30 or so seconds from one of the poems. (DON’T LOOK UP THE POEM…yet). The goal is to capture the poem in verse, intuiting where to place line breaks.
- Once that is ready, look up the poem and write a post in which you compare/contrast your transcription and the published poem. Reflect on the information that is lost from the reading when writing down the poem.
- Post in our forum before class.
Wednesday, September 14
- In class:
- Assignment
- Listen to Tracie Morris:
- Read “Sound Poetry” in The Princeton Encyclopedia of Poetry and Poetics.
- Explore UbuWeb: Sound
- Write a brief analysis of 2 sound poems from UbuWeb Sound (1-2 paragraphs per poem) in which you discuss how the poet is using the materiality of sound in meaningful ways. Post before our normally scheduled class period on Monday, September 19.
Monday, September 19
- Asynchronous online class. We do not meet in person or via Zoom. Class activities defined below.
- Post your analysis of sound poetry before the class period (description above).
- Read the posts made by two classmates, and listen to the sound poems they linked to. Respond to them substantively by noting other bits of expressive use of sound.
- Assignment:
- Read “Performance” in The Princeton Encyclopedia of Poetry and Poetics.
- Watch Shane Koyczan “To This Day”
- Watch this performance by Sherrie Silver and Amanda Gorman
- Write a 1-2 paragraph discussion of the materials poets have available to them when crafting a live performance and the impact this has on the poem. Offer examples from the assigned performances. Post in our forum before class.
Wednesday, September 21
- In class
- Discussion of Sound Poetry and Performance Poetry
- “4’33”” by John Cage
- “Seahorses and Flying Fish” by Hugo Ball (1916)
- “Poetry Craft” by Jim Andrews (1989)
- UbuWeb Sound
- Paul de Vree
- Happy New Ear (1997)
- Discussion of Sound Poetry and Performance Poetry
- Assignment:
- Read “Avant Garde Poetics” “Metaphor” and “Simile” in the Princeton Encyclopedia.
- Read “Jabberwocky” by Lewis Carroll
- Post a 1-2 paragraph interpretation of the poem you are writing your essay #1 about. Include a link to the poem or the poem itself in the post. Post in our forum before class.